主题:舞蹈
 | 此主题目前正依照其他维基百科上的内容进行翻译。 (2017年4月6日) |
舞蹈主题
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舞蹈是八大艺术之一，是于三度空间中以身体为语言作“心智交流”现象之人体的运动表达艺术，一般有音乐伴奏，以有节奏的动作为主要表现手段的艺术形式。它一般借助音乐，也借助其他的道具。舞蹈本身有多元的社会意义及作用，包括运动、社交／求偶、祭祀、礼仪等。
特色条目
Lindy Hop entered mainstream American culture in the 1930s, gaining popularity through multiple sources. Dance troupes, including the Whitey's Lindy Hoppers (also known as the Harlem Congaroos), Hot Chocolates and Big Apple Dancers exhibited the Lindy Hop. Hollywood films, such as Hellzapoppin' and A Day at the Races began featuring the Lindy Hop in dance sequences. Dance studios such as those of Arthur Murray and Irene and Vernon Castle began teaching Lindy Hop.
Social lindy hop dancing (social meaning unchoreographed) varies in each city and country, with each local scene having its own unique dance etiquette and social conventions. Generally, lindy hop is danced by a lead and follow partnership, with the lead most frequently being a man, and the follow being a woman. Social lindy hop not only involves partners dancing unchoreographed dances, but also a range of other traditions and activities. Jam circles, are a tradition dating back to the 1930s and earlier in African American vernacular dance culture, and have much in common with musical cutting contests in jazz. Malcolm X describes 'jam circles' in his autobiography as a loose circle forming around a couple or individual whose dancing was so impressive it captured the attention of dancers around them, who would stop and watch, cheering and clapping. This tradition continues in most lindy hop communities today, with other couples interrupting, joining, or replacing the original couple in the cleared 'circle'. Dancers usually leave or enter at the end of a musical phrase. Lindy Hop today is danced as a social dance, as a competitive dance, as a performance dance, and in classes, workshops, and camps.
特色图片
A ballet tutu is a skirt worn as a costume in a ballet performance, often with attached bodice. It might be single layer, hanging down, or multiple layers starched and strutting out. Tutus were often cherished as costumes, for the tanning makeup people used to wear was forbidden to touch the costumes. Ballet Ports de Bras arm movements were modified to not touch the elegant costumes.
特色传记
Emma studied dancing while young and attended the Paris Opera School. She made her debut at age sixteen with the Paris Opera as the sylph in La Sylphide. Her talent brought her fame and she became a widely respected ballerina.
Marie Taglioni noticed her during one of her performances and immediately took a liking to the girl, becoming her mentor. Marie choreographed for Emma in the ballet Le Papillon, a piece by Jacques Offenbach that was especially created just for Emma.
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