即興饒舌

即興饒舌，又稱花式饒舌、自由說唱^{[註 1]}，經常用來形容臨場即興的說唱方式，其歌詞很少預先寫好，全靠表演者即興發揮，有時會配合伴奏和強烈節拍將內容唱出，因此中文翻譯成「即興饒舌」；但在早期發展中，freestyle的表演者有時會預先寫好歌詞，以展現較複雜的說唱技，所以有「花式饒舌」的名字。目前兩個譯名在華文樂壇中均有使用^[1]^[2]^[3]^[4]^[5]^[6]。

用處

花式饒舌的用處包括是娛樂、介紹自己、表演自己多才多藝的一面，並作為一種精神活動 ^[7]。花式饒舌也是用來為專輯的錄製歌曲或Mixtapes^[8]

代表人物

Juice Wrld
Eminem
德瑞博士
Snoop Dogg
2PAC
BIGGIE
MC Jin
BR
爆音
q毛萬
PG ONE
熊仔
genius

注釋

^ 源自對「Freestyle rap」不同定義的翻譯。

參考資料

^ Kevin Fitzgerald (director), Freestyle: The Art of Rhyme, Bowery, 2000.
^ T-Love, "The Freestyle", in Brian Cross, It's Not About A Salary..., New York: Verso, 1993.
^ Gwendolyn D. Pough, 2004, Check It While I Wreck It, UPNE, p.224
^ Murray Forman, Mark Anthony Neil, 2004, That’s The Joint!, Routledge, p.196
^ Raquel Z. Rivera, 2003, New York Ricans From The Hip-Hop Zone, Palgrave Macmillan, p. 88
^ Kool Moe Dee, 2003, There's A God On The Mic: The True 50 Greatest MCs, Thunder's Mouth Press, p.22, 23, 101, 201, 226, 228, 292, 306, 327, 328, 339.
^ Edwards, Paul, 2009, How to Rap: The Art & Science of the Hip-Hop MC, Chicago Review Press, p. 183-184.
^ Edwards, Paul, 2009, How to Rap: The Art & Science of the Hip-Hop MC, Chicago Review Press, p. 149.

[1] 源自對「Freestyle rap」不同定義的翻譯。

[Freestyle_Documentary-2] Kevin Fitzgerald (director), Freestyle: The Art of Rhyme, Bowery, 2000.

[3] T-Love, "The Freestyle", in Brian Cross, It's Not About A Salary..., New York: Verso, 1993.

[Check_It-4] Gwendolyn D. Pough, 2004, Check It While I Wreck It, UPNE, p.224

[Joint-5] Murray Forman, Mark Anthony Neil, 2004, That’s The Joint!, Routledge, p.196

[Ricans-6] Raquel Z. Rivera, 2003, New York Ricans From The Hip-Hop Zone, Palgrave Macmillan, p. 88

[Kool_Moe_Dee_book_all_citations-7] Kool Moe Dee, 2003, There's A God On The Mic: The True 50 Greatest MCs, Thunder's Mouth Press, p.22, 23, 101, 201, 226, 228, 292, 306, 327, 328, 339.

[8] Edwards, Paul, 2009, How to Rap: The Art & Science of the Hip-Hop MC, Chicago Review Press, p. 183-184.

[9] Edwards, Paul, 2009, How to Rap: The Art & Science of the Hip-Hop MC, Chicago Review Press, p. 149.

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