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笑容背后
After Laughter
帕拉摩尔乐队的录音室专辑
发行日期2017年5月12日
录制时间2016年6月—2016年11月
录音室RCA录音室B（英语：RCA Studio B）（田纳西纳什维尔）
类型
时长42:31
唱片公司拉面工坊
制作人
帕拉摩尔乐队专辑年表
The Holiday Sessions（英语：The Holiday Sessions）
（2013年） 		笑容背后
（2017年） 		追根究柢
（2023年）
收录于《After Laughter》的单曲
  1. Hard Times（英语：Hard Times (Paramore song)）
    发行日期：2017年4月19日
  2. Told You So（英语：Told You So (Paramore song)）
    发行日期：2017年5月3日
  3. Fake Happy（英语：Fake Happy）
    发行日期：2017年8月29日
  4. Rose-Colored Boy（英语：Rose-Colored Boy）
    发行日期：2018年3月2日
  5. Caught in the Middle（英语：Caught in the Middle (Paramore song)）
    发行日期：2018年6月26日

《笑容背后》[1]（英语：After Laughter）是美国摇滚乐队帕拉摩尔乐队的第5张录音室专辑，由拉面工坊于2017年5月12日发行，乐队前张专辑为2013年的同名专辑。《笑容背后》由吉他手泰勒·约克（英语：Taylor York）和先前的合作者贾斯汀·梅达尔-约翰森（英语：Justin Meldal-Johnsen）森共同制作。该专辑是自扎克·法罗（英语：Zac Farro）回归（他与哥哥乔什（英语：Josh Farro）于2010年离开乐队）和前贝斯手杰里米·戴维斯（英语：Jeremy Davis）2015年离开乐队以来的首张专辑[2][3]。《笑容背后》完全异于乐队此前的流行朋克和另类摇滚风格，并在欢快和活泼的声音下，探讨疲惫、抑郁和焦虑等主题。

《笑容背后》获乐评人广泛赞誉，并赞扬乐队新的音乐方向、专辑的1980年代新浪潮和合成器流行风格。多家出版物，如《公告牌》和《滚石》，将该专辑列入其年终榜单。2019年，Pitchfork将该专辑列入最佳专辑十年榜第169名[4]。

《笑容背后》有5首单曲。《Hard Times（英语：Hard Times (Paramore song)）》于2017年4月19日发行；《Told You So（英语：Told You So (Paramore song)）》于2017年5月3日发行；《Fake Happy（英语：Fake Happy）》于2017年8月29日发行；《Rose-Colored Boy（英语：Rose-Colored Boy）》于2018年3月2日发行；《Caught in the Middle（英语：Caught in the Middle (Paramore song)）》于2018年6月26日发行。该专辑发行首周以67,000张专辑等价单位在美国《公告牌》二百强专辑榜获第6名，为乐队第3张在榜单获前10名的专辑[5]。

背景与录制

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2016年1月19日，乐队主唱海莉·威廉姆斯宣布乐队正在创作第5张专辑，乐队前张专辑为2013年同名专辑《帕拉摩尔乐队》[6]。6月7日，乐队官方账号在社交媒体发布前鼓手扎克·法罗和制作人贾斯汀·梅尔达-约翰森入镜的照片[7]，隔日发布乐队在录音室的短片[8]，当月录制专辑[9][10]。6月17日，法罗再次于官方账号发表的照片入镜，照片他坐在架子鼓旁，媒体称他很有可能已回归乐队[11]。法罗不久后澄清他只是为专辑录制鼓点，并非回归乐队[12]。该专辑于乐队发迹地纳什维尔的老牌录音室RCA录音室A（英语：RCA Studio B）制作，为乐队首次在发迹地录制专辑。该专辑由吉他手泰勒·约克和贾斯汀·梅尔达-约翰森共同制作，两人也曾制作乐队同名专辑[13]。专辑于2016年11月结束录制[14]。2017年2月2日，乐队宣布法罗以正式鼓手的身份回归乐队[15][16]。

威廉姆斯在接受《纽约时报》采访时表示：“我甚至不知道我们是否会再做一张专辑……有段时间我甚至不想去做（专辑）。然后又觉得，我想去做，但我不知道我们该怎么做”[17]。此外，威廉姆斯于《DIY（英语：DIY (magazine)）》采访时提到，“我觉得我们仍经验不足，尤其是这张专辑。我感觉还可以尝试很多新事物，对生命也有不少新感受——你终于跨过否认自己已成年的那道坎。这是一张疯狂的专辑”[18]。

宣传与发行

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On April 19, 2017, the lead single, "Hard Times（英语：Hard Times (Paramore song)）", was released along with a music video.[13][19][20][21] On the same day, pre-orders of the album were made available,[13] revealing the album title, cover art, track listing, and release date.[13][19][20][21] A European headline tour was later announced via the band's official website, kicking off in Ireland on June 15.[22] Riot Fest（英语：Riot Fest） also announced that Paramore would be part of the festival's lineup in September.[23][24] On May 3, the band released a second single from the album, titled "Told You So（英语：Told You So (Paramore song)）", along with a music video.[25][26] On May 10, the album leaked online before its official release.[27] On the day of the album's release, the band announced their third "Parahoy!" cruise, which took place from April 6 to April 10, 2018, sailing from Miami to Nassau, Bahamas.[28][29] On May 17, the band performed "Hard Times" on Jimmy Kimmel Live!,[30][31] Following this, on May 25, they performed "Told You So" on The Late Late Show.[32][33] On August 29, 2017, the band released "Fake Happy（英语：Fake Happy）" as the third single from the album,[34][35] On February 5, 2018, a music video directed by Warren Fu（英语：Warren Fu） for "Rose-Colored Boy（英语：Rose-Colored Boy）" was released,[36][37][38] which is also the album's fourth single.[39] On June 26, 2018, a music video for "Caught in the Middle（英语：Caught in the Middle (Paramore song)）" was released, which also serves as the album's fifth and final single.[40][41]

词曲

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音乐与歌词

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After Laughter is a departure from Paramore's previous material, leaving behind the pop-punk and emo genres of previous releases entirely.[42][43] Matt Collar from AllMusic described the album's sound as new wave.[42] Ilana Kaplan at Paste（英语：Paste (magazine)） characterized the album as 1980s new wave pop.[44] Similarly, Billboard's Chris Payne described it as an "early '80s new wave" album, as well as calling the songs on After Laughter "slick, sun-kissed alternative pop".[43] Marianne Eloise of The Forty Five described the album as synth-pop.[45] Brad Nelson of Spin also described the album as new wave, saying that "it's the band's brightest, most animated album. The sound is crisp, every layer discernible, lacking the blurs and reverberations that constitute traditional rock production and instead drawing from the rhythmic separations that characterize '80s pop and freestyle."[46] Glenn Gamboa from Newsday stated that the band is "pushing deeper into their own pop-rock world," and that the album has "the candy-colored energy of '80s pop built on sleek synths and spiky, Afrobeat（英语：Afrobeat）-tinged guitars."[47] Pitchfork writer Ryan Dombal categorized the album a "piece of '80s pop-rock," stating "York focuses his inspirations the styles of 1980s rock and pop, conjuring a slicked-back take on fixtures like Talking Heads, Paul Simon, and the Bangles."[48] The Line of Best Fit's Dannii Leivers noted "the band have fully embraced chart-friendly, power pop."[49] According to PopMatters, "[the album] fuses sleek elements of '80s new wave, funk, and synthpop."[50] Punknews.org described the album as an "80s electro-pop album".[51] Eve Barlow from Variety observed "...these tunes builds upon the more ambitious, experimental sounds of radio stalker "Ain't It Fun（英语：Ain't It Fun (Paramore song)）" off their previous, self-titled LP, leaning on their crossover success."[52][53]

The album's lyrical content predominantly touches upon themes of exhaustion, depression, and anxiety.[46] NME said the album is a "pop triumph", highlighting the contrast between the "serious sadness" of the lyrics "underneath all the bangers".[54] Similarly, The Guardian called the album a "vibrant record, a contrast to its lyrical themes, which cover masking misery, spiralling depression and the anxiety of ageing, only with a knowing wink."[55] Newsday called the album "a collection of songs about remaining upbeat in the face of adversity that bounce around with."[47] Billboard said "Williams sings about the act of crying on no less than five songs, and there are numerous moments where she could be addressing the unfriendly exit and subsequent legal entanglements of former bassist Jeremy Davis（英语：Jeremy Davis）."[43] Spin said the album "observes a different aspect of the subject of survival: the emptiness and pointlessness, and how often it fails to alter the indifferent universe that surrounds and requires it."[46] The Line of Best Fit（英语：The Line of Best Fit） said "despite all its sunny hooks, After Laughter is a deep album with plenty to say. It's easily the most honest and mature Paramore have sounded yet."[49]

歌曲与内容

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Aaron Weiss of MewithoutYou（英语：MewithoutYou） (right) is featured on "No Friend".

Tracks 1–6

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After Laughter opens with "Hard Times（英语：Hard Times (Paramore song)）", a synth-heavy, disco-tinged new wave song about the feeling of going through hard times, and being useless in achieving one's goals.[42][48][56] "Rose-Colored Boy" is a synth-pop song that Rolling Stone compared to Cupid & Psyche 85（英语：Cupid & Psyche 85） by pop group Scritti Politti（英语：Scritti Politti）.[57] "Told You So" is a song that has been described as funk-pop,[58][59] as well as new wave, indie pop and electropop.[26][60][61] "Forgiveness" is a "dreamy power ballad" which features "sassy handclaps and hairflicks", which has been compared to pop rock bands Heart, Fleetwood Mac and Haim.[54][43] NPR said the song is "the band's take on Haim's chiming California soft-rock revival."[62] Spin called it one of the band's best songs, "their gentlest and most buoyant kiss-off".[46] "Fake Happy" starts out as an acoustic dirge that transforms into an "ambitious, funky anthem about everyone masking their sadness."[47] "26" is a string-laden ballad that "sighs into its lush strings". It has been compared to the songs "Misguided Ghosts" and "The Only Exception（英语：The Only Exception）" from their 2009 album, Brand New Eyes.[54][46][57]

Tracks 7–12

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The seventh track "Pool", described as "aqueous" and "bouncy", is a new wave song that "bathes Williams' voice in crystalline distortion" and "shimmers like a mirage on a blazing day."[54][57][43] "Grudges" is "a sweet reflection of Williams' repaired relationship with both Farro brothers", with Zac Farro harmonizing on the track.[62] It has been compared by NME to The Bangles' work, whereas AllMusic compared it to The Cure's "Friday I'm in Love（英语：Friday I'm in Love）".[42][54] "Caught in the Middle" is a "ska-inflected" song of persistence and goal setting.[54][63] According to NME, it is one of the album's nods to their punk past, which they also compared to No Doubt's earlier music.[54] "Idle Worship" is a commentary about fame, with Williams' voice providing even more of a contrast to the stunning acridity of lyrics.[57] York revealed that he sampled wind howling through a building in the UK, then played the sample on a keyboard in the song.[64] The "moody" and "marauding" eleventh track "No Friend" has been described as post-hardcore.[62] It is the only Paramore song to not feature Williams on the vocals. Instead, Aaron Weiss from MewithoutYou（英语：MewithoutYou） is on the vocals, delivering a spoken word monologue buried in a cacophony of York and Farro's dark inversions of the "Idle Worship" riff. The lyrics add metrical detail to the sentiments of "Idle Worship", a song about interpersonal expectations, and the vast distance between one's self-conception and the idea of oneself that exists in the minds of others,[46][57] Many of its lyrics also make references to past Paramore songs.[62] Several publications referred to it as "the strangest song that's ever made it to a Paramore album."[43][48][65] The album closes with "Tell Me How", a tender piano ballad which features a "vaguely tropical pulse and warily confessional words" that allows Williams' voice to curl around and into expressions of anxiety that sound impossible to quiet.[43][48][57] It's been characterized as "a soft R&B exploration disguised as a piano ballad" by NPR, who compared it to works by Drake and The Weeknd.[62]

标题与封面

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Regarding the album's title, Williams told iHeartRadio that "After Laughter is about the look on people's faces when they're done laughing. If you watch somebody long enough, there's always this look that comes across their face when they're done smiling, and I always find it really fascinating to wonder what it is that brought them back to reality. So, that's what After Laughter is."[66]

The artwork of After Laughter, which features an impossible trident optical illusion, was designed by Los Angeles–based designer Scott Cleary. It reflects a new sound and direction for the band. Cleary stated:[67]

The band came to me when they were recording the album in LA. We've been friends for a while so we were spending a lot of time together while they were in town from Nashville. They asked me if I'd be interested in doing the album artwork and band re-brand, to which I jumped at the chance. They had some ideas around the 80s vibes of the record, and a few visual references they were feeling. I did the usual "listen to the record, write/draw a bunch of stuff" and came up with the idea of a landscape where colors, shapes and textures would represent sounds and moments on the record...Sonically, the record is very "real" and I wanted the imagery details to have that finishing touch as well.

According to Cleary, his artwork was "the first piece of visual material that accompanied the new record and the band wanted a super-cohesive roll-out", therefore the music video for the lead single "Hard Times（英语：Hard Times (Paramore song)）" was "very much influenced by the artwork."[67]

专业评价

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专业评分
综合得分
来源评分
AnyDecentMusic?7.9/10[68]
Metacritic82/100[69]
评论得分
来源评分
AllMusic4.5/5颗星[42]
ConsequenceB[70]
Drowned in Sound（英语：Drowned in Sound）8/10[71]
The Guardian4/5颗星[55]
NewsdayA−[47]
NME4/5颗星[54]
Pitchfork7.5/10[48]
Rolling Stone4/5颗星[57]
Sputnikmusic4.1/5[65]
USA Today3.5/4颗星[72]

After Laughter received critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82, based on 15 reviews, indicating "universal acclaim".[69]

Matt Collar at AllMusic commented that "much credit here goes to York, who co-wrote all of the songs and whose deft guitar and keyboard make up much of the album's distinct aural character. But of course, Williams still beats at the center of everything, her voice providing the album's warm, exuberant core."[42] Brice Ezell of Consequence stated "Colorful instrumentation and insistent hooks overpower the uneven parts of the band's fifth studio outing".[70] Joe Goggins writing for Drowned in Sound（英语：Drowned in Sound） described the band as being as "Musically...free as they've ever sounded [on this album]."[71] In a positive review, Harriet Gibsone at The Guardian said the album is "candy-coated bitterness at its best – may steer them away from the Kerrang! crowd, but one thing remains consistent to Paramore's emo roots – the theatrical mellifluence of internal angst."[55] Dannii Leivers of The Line of Best Fit（英语：The Line of Best Fit） called it a "deep album with plenty to say" and "one of the best pop albums [of the] year."[49]

Writing for Newsday, Glenn Gamboa praised the album, stating that "the closer Paramore gets to breaking up, the better it gets at finding reasons to stick together," adding that the album "is packed with potential pop hits that only Paramore could deliver. And that's the perfect reason for the group to keep going."[47] Leonie Cooper from Jon Caramanica from The New York Times noted that Paramore are "single-minded again, but not of the same mind as it once was. Ms. Williams and her bandmates, Zac Farro and Taylor York have remade themselves into a 1980s pop-rock outfit: tinny digital percussion, synthesizers and mostly constrained, saccharine singing from Ms. Williams."[73] NME gave the album 4 out of 5 stars, writing: "Catharsis is never usually this joyous, but sometimes smiling through the pain works better than crying."[54] Laura Snapes of 'The Observer called the album "one of the year's best pop albums."[74]

Iiana Kaplan of Paste（英语：Paste (magazine)） said After Laughter is "an undeniably hooky record that strays from its grunge-rock roots and finds the band in a place where they've found the fun in their craft once again." Kaplan also stated that the Williams people love is still around, while noting "Once immersed in the pop-heavy album that is After Laughter, it becomes clear that the less angsty outlook of Paramore is something only surface-level. If you look beneath, it shows Williams battling with herself to make amends ("Forgiveness", "Caught In The Middle") and put on a front to the public ("Fake Happy")."[44] Pitchfork writer Ryan Dombal described it as the band's most "fizzy" album, adding that it "highlights Williams' most existentially despondent musings to date."[48] Maura Johnston（英语：Maura Johnston） of Rolling Stone was positive towards the writing stating, "[the] lyrics evince a weariness that makes [the brightness of the album] seem garishly empty and called the album a "gorgeously produced, hook-studded record."[57] Sputnikmusic staff writer Sowing described the album as the "fresh start" that the self-titled album was meant to be, adding "After Laughter is the first post-2010 Paramore record to truly break form," mentioning "No Friend" and "26" as discography highlights.[65] Patrick Ryan writing for USA Today noted that "Paramore is clearly aiming for more radio-friendly music here, but their deceptively moving lyrics and audacious fusing of genres is what makes it such a rewarding listen."[72]

In a fifth anniversary retrospective review of the album, Yasmine Summan from Alternative Press considered it to be a "saving grace" for the band, and stated "Right now there might not be a Paramore as we know it, but with Zac's return, York's incredible talents and Williams having a place to confront her emotions, this album not only earns its acclaim for its chart-topping successes but is as crucial to the band's growth as Riot! or brand new eyes."[75]

获奖纪录

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出版物 奖项 排名 参考
AllMusic AllMusic 2017年最佳专辑 不适用
[76]
《公告牌》 2017年50佳专辑
15
[77]
《前音后果》 2017年50大专辑
45
[78]
Drowned in Sound（英语：Drowned in Sound） Favourite Albums of 2017
13
[79]
《NME》 2017年度专辑
20
[80]
《Noisey》 2017年100佳专辑
33
[81]
全国公共广播电台 2017年50佳专辑
50
[82]
《PopMatters》 2017年60佳专辑
52
[50]
《滚石》 2017年50佳专辑
25
[83]
The Skinny（英语：The Skinny (magazine)） Top 50 Albums of 2017
14
[84]
Stereogum The 50 Best Albums of 2017
37
[85]
Time Out New York The Best Albums of 2017
8
[86]

商业表现

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After Laughter debuted at number six on the US Billboard 200, making it their third top 10 on the chart, with 67,000 album-equivalent units, of which 53,000 were pure album sales,[87] and was certified gold by the RIAA for shipments of 500,000 albums.[88] It also debuted within the top 10 of seven other countries including Australia, Austria, Canada, Ireland, New Zealand, Scotland and the UK.

曲目

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全碟词曲：Hayley Williams and Taylor York（英语：Taylor York）, except where noted　
After Laughter track listing
曲序曲目词曲时长
1.Hard Times（英语：Hard Times (Paramore song)） 3:02
2.Rose-Colored Boy（英语：Rose-Colored Boy）
3:32
3.Told You So（英语：Told You So (Paramore song)） 3:08
4.Forgiveness 3:40
5.Fake Happy（英语：Fake Happy） 3:55
6.26 3:40
7.Pool
  • Williams
  • Farro
  • York
3:52
8.Grudges
  • Williams
  • Farro
  • York
3:06
9.Caught in the Middle（英语：Caught in the Middle (Paramore song)） 3:34
10.Idle Worship 3:18
11.No Friend
3:24
12.Tell Me How 4:20
总时长：42:31

制作团队

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Paramore

Additional musicians

  • Justin Meldal-Johnsen（英语：Justin Meldal-Johnsen） – bass guitar, keyboards, programming
  • Zelly Boo Meldal-Johnsen – background vocals (2)
  • David Davidson – violin (6)
  • Benjamin Kaufman – violin (6)
  • Betsy Lamb – viola (6)
  • Claire Indie Nunn – cello (6)
  • Daniel James – string arrangement (6)
  • Aaron Weiss（英语：MewithoutYou） – lead vocals (11)

Technical

Artwork

  • Scott Cleary – art direction, design
  • Ken Tisuthiwongse – photography for artwork
  • Lindsey Byrnes – band photography
  • Brian Ranney – packaging production

排行榜

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销量认证

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地区 认证 认证单位/销量
英国（英国唱片业协会）[117] 金 100,000‡
美国（美国唱片业协会）[88] 金 500,000‡

‡仅含认证的流媒体+实际销量

参考资料

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  1. ^ 笑容背後(歐洲進口盤). 五大唱片. [2024-07-18] （中文（台湾））. 
  2. ^ Lindner, Emilee. Paramore Announces 'Painful' Split With Bassist Jeremy Davis. MTV. 2015-12-15 [2023-01-01]. （原始内容存档于2022-12-26）. 
  3. ^ Sharp, Tyler. Paramore part ways with bassist Jeremy Davis. Alternative Press. 2015-12-15 [2023-01-01]. （原始内容存档于2017-04-15）. 
  4. ^ The 200 Best Albums of the 2010s. Pitchfork. 2019-10-08 [2018-12-25]. 
  5. ^ Harry Styles Debuts at No. 1 on Billboard 200 Albums Chart. Billboard. [2018-08-18]. 
  6. ^ Payne, Chris. Hayley Williams Announces Paramore Is Writing a New Album. Billboard. 2016-01-20 [2023-01-01]. 
  7. ^ Is Zac Farro Back In Paramore?. Kerrang!（英语：Kerrang!）. 2016-06-07 [2023-01-01]. 
  8. ^ Instagram video by Paramore • Jun 8, 2016 at 10:29pm UTC. Instagram. [2016-06-14]. （原始内容有限度免费查阅，超限则需付费订阅存档于2021-12-24）. 
  9. ^ Payne, Chris. Paramore's New Album: What We Do (And Don't) Want to Hear. Billboard. 2016-07-03 [2017-04-26]. 
  10. ^ Day one in Nashville: time to unpack.. Instagram. [2017-04-26]. （原始内容有限度免费查阅，超限则需付费订阅存档于2021-12-24）. 
  11. ^ Moore, Sam. Paramore reunite with drummer Zac Farro for new album sessions. NME. 2016-06-21 [2023-01-01]. 
  12. ^ Stam, Janneke. Zac Farro Confirms He's On The New Paramore Album. Rock Sound（英语：Rock Sound）. 2016-07-05 [2023-01-01]. （原始内容存档于2017-02-25）. 
  13. ^ 13.0 13.1 13.2 13.3 Kaufman, Gil. Paramore Drop Single, 'Hard Times,' Announce New Album, 'After Laughter'. Billboard. 2017-04-19 [2023-01-01]. 
  14. ^ Taylor, Sam. It looks like Paramore have finally finished their album. Upset Magazine. 2016-11-24 [2023-01-01]. （原始内容存档于2017-04-27）. 
  15. ^ Payne, Chris. Rejoice, Paramore Fans: Drummer Zac Farro Is Back in the Band. Billboard. 2017-02-02 [2023-01-01]. （原始内容存档于2018-07-02）. 
  16. ^ Luke Morgan Britton. Paramore appear to confirm return of original member. NME. 2017-02-02 [2023-01-01]. 
  17. ^ Coscarelli, Joe. Paramore Bounces Back With Old Faces and a New Sound. The New York Times. 2017-04-19 [2017-04-23]. （原始内容存档于2017-04-20）. 
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